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Nostradamus C01 Q45: Midsummers Nights Dream Anne Boleyn and Queen Bette.
Copyright: Allan Webber, December 2015


This verse has a quite unexpected theme about events in our history and Nostradamus' future since it definitively covers Queen Elizabeth I's intervention in the presentation of Shakespeare' Midsummer's Nights Dream.

It raises the prospect that a member of the troupe of actors incorporated views from a messianic sect.


Although this can be read directly from the text the unequivocal definition is in the anagrams.

Nostradamus' verse C4 Q45 This has multiple links to Shakespeares Midsummer Nights DreamSHAKESPEARE's DREAM 1596-1597CE

The second and third lines of the above verse hold the clues that this refers to Midsummer' Nights Dream. This particular play of Shakespeare was first presented in the Theatre in Shoreditch in 1596CE (1597 was the year that the Globe was built and first used by Shakespeare).

 

A most memorable part of the play is when the character Bottom is transformed into a beast with a donkey's head.

 

The play also contains an internal play to be put on by Quince, Bottom and co. This internal play is presented as being authored by the leader of the troupe, Peter Quince, who draws his tale from a story of love and death in the olden-time classic, Pyramus and Thisbe. All of this fits to what we can read in this verse. But in addition there is the peculiar sound of the second line's Bette in the theatre since it resonates as Elizabeth in the theatre or in the Theatre in Elizabethan times.

 

Of course my conclusion had other material on which I could draw besides the foregoing visible elements of this particular verse.

The quatrain is full of anagrams that apply to Shakespeare's play. The name of the author of the olden-time play at the heart of this play, Quince, is found in the second line as ceniqu. There is dwarf (as duuarf) in the third line and Puck, another major character in Shakespeare's play, is referred to as a dwarf in the play when Lysander says 'Get you gone you dwarf'.

The third line also contains Queen Bol'yn (que en - nobly) tying the verse to the monarch Elizabeth via her mother and this is the only place where such an anagram can be found. This line may add more and say 'Queen Boleyn invent dwarf 'which would then imply Queen Elizabeth had input into the  play and requested this character be included in secret honor of her mother. 

 

It is also possible that the words faict antique ennobly in the third line were, as shown in many versions, originally written as fait antique ennobly from which we would then have Queen Titania (aitanti queen), the name of the Fairy Queen in Shakespeare's play. And then this title then hints at Queen Bette sharing  the dream and concerns of Titania who claims in the first act that nature deserves to  be protected from humans.

 

 

Anagrams that give these ideas coherence include:

1. Grandest creeds adulate secret reduces dangers spreading
2. Queen Bette threatened lesser Jesu tenet then arrested equine Quince
3. Lily entune Billy Queen Titania Act I equine duuarf Bolyn  unfeatured
4. Coencodements confutes schematist omens equip sects secret ethics

C1 Q45

A founder of sects, much trouble for the accuser:
A beast in the theatre prepares the scene and plot
The author ennobled by acts of older times;

the world is confused by schismatic sects.

 

Secteur de Sectes grand peine au delateur
Bette en theatre dreSSe le jeu Scenique
Du faict antique ennobly l'inuenteur

Par Sectes monde confus et SchiSmatique.

 

SHAKESPEARE's DREAM 1596-1597CE

The second and third lines of the above verse hold the clues that this refers to Midsummer' Nights Dream. This particular play of Shakespeare was first presented in the Theatre in Shoreditch in 1596CE (1597 was the year that the Globe was built and first used by Shakespeare). A most memorable part of the play is when the character Bottom is transformed into a beast with a donkey's head. The play also contains an internal play to be put on by Quince, Bottom and co. This internal play is presented as being authored by the leader of the troupe, Peter Quince, who draws his tale from a story of love and death in the olden-time classic, Pyramus and Thisbe. All of this fits to what we can read in this verse. But in addition there is the peculiar sound of the second line's Bette in the theatre since it resonates as Elizabeth in the theatre or in the Theatre in Elizabethan times. Of course my conclusion had other material on which I could draw besides the foregoing visible elements of this particular verse.

The quatrain is full of anagrams that apply to Shakespeare's play. The name of the author of the olden-time play, Quince, is found in the second line as ceniqu. There is dwarf (as duuarf) in the third line and Puck, another major character in Shakespeare's play, is referred to as a dwarf in the play when Lysander says 'Get you gone you dwarf'.The third line also contains Queen Bol'yn (que en - nobly) tying the verse to the monarch Elizabeth via her mother and this is the only place where such an anagram can be found. This line may add more and say Queen Boleyn invent dwarf.  It is also possible that the words faict antique ennobly in the third line were, as shown in many versions, originally written as fait antique ennobly from which we would then have Queen Titania (aitanti queen) , the name of the Fairy Queen in Shakespeare's play.

Anagram sequences in French text.

1.<pandering Sect rescue / secure true seed> <reduceS / Secured / rescueD grandest Secret><adulate><Sect spreading> <creedS>
2.<queen-Bette><Bette threatened SeerS><elSe quince then be jeSu arrested><equine cueS Bette tenderheart>
3.<Duuarf antic entuuine queen Bolyn><quite fanatic> <ennoble Duuarf quittance><titanic equine unfeatureD>
4. <SchematiSt confused omens a secret equiP><SchematiSt fuse Parques [French for Roman Parcae / Fates] co-encodements><maSih [Arabic Messiah] Sect quite confuse demons Sect>
1: coencodements, schematist, unfeatured, Queen-Bette, pandering, chemists, Titanic, entuuine, 
2: threatened, confused, chiasms,
3: tenderheart, picaresque, quittance, ennoble, adulate,
4: confutes, Dufaict, Theatre, Lily, Bette,
5: spreading, fanatic, confuse, crested, rescued / reduces / secured, duuarf, secrets,
6: comets, ethics, Bolyn / nobly,
7: condone, threat,
8: equitant, treescape, quieten, eructed, sects, 
9: arrested, Quince,
10: Pasquier,
11: -, 
12: chest, rescue / secure,
13: equine (2x), ennui, heat / hate / Thea,
14: intact, austere, creeds / screed, Bonne, then,
15: retard, trader,
16: creates, 
17: demons, turned, gets,
18: elated, fraud, Earth / heart / Thera,
19: Parques, Jesu,
20: redress, mast,
21: Queen,
22: -,
23: -.

 
Key Ideas:

Queen-Bette, coencodements, schematist, unfeatured, pandering, chemists, Titanic, entwine, confused, chiasms, threatened, Lily, confutes, The Theatre, spreading, fanatic, sects, creeds, equine, dwarf, secured, secrets, Boleyn, ethics, condone, comets, threat, arrested, Quince,  secure, demons, gets, Earth, fraud, Jesu, Parques, redress.

 

 

 

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